Art Auction Worldwide

A Free Art Auction Site,art,paintings,art sales,art investers,artist,collections

Information

Painters

all painters of any media or style

Members: 76
Latest Activity: Nov 23

Discussion Forum

Brenda

Please be Gentle... 2 Replies

Hi everyone...I'm brand new here and excited to have become a member! Still uploading some of my works...comments and constructive critism are always welcome. So please check out my page and please...

Started by Brenda. Last reply by Brenda Nov. 18, 2008.

Jennifer Blenkinsopp

Just to let you know. 1 Reply

There is a comp for watercolours in London through the RWS, here is the link for those that are interested http://www.parkerharris.co.uk/newsite/

Tagged: competion

Started by Jennifer Blenkinsopp. Last reply by Jennifer Blenkinsopp Jul. 10, 2008.

Lisa

Do you follow the rules or make your own? 32 Replies

I was wondering if others here experiment in different elements when painting? I use watercolors and then add acrylics.. I have also added sugar sand to my acrylics to give more texture (like rocks...

Tagged: experiments, textures, painting, watercolors, acrylics

Started by Lisa. Last reply by Phil Cashdollar Sep 28.

Comment Wall

Add a Comment

You need to be a member of Painters to add comments!

AGO.OTA Comment by AGO.OTA on June 22, 2009 at 2:59pm

Phil Cashdollar Comment by Phil Cashdollar on March 14, 2009 at 9:29pm
Letter from Theo van Gogh to Vincent van Gogh
Saint-Rémy, 29 March 1890

Letter T31
Paris, 29 March 1890

My dear Vincent,

How happy I should be if I could go to you and shake your hand on the festive occasion of your birthday. Will it be a festive occasion for you, or is your condition still such that you are unhappy? What do you do in the daytime, and do you have something to do to divert your mind? Can you read, and do you get everything you want? After your last letter I hoped that you had entered upon a period of convalescence, and that you could have told me soon after that you were feeling better. My dear brother, how sad it is for us to be at such a distance from one another, and to know so little what the other one is doing. For this reason I am very happy to be able to tell you that I met Dr. Gachet, that physician Pissarro mentioned to me. He gives the impression of being a man of understanding. Physically he is a little like you. As soon as you come here we are going to see him; he comes to Paris several times a week for consultations. When I told him how your crisis came about, he said to me that he didn't believe it had anything to do with madness, and that if it was what he thought he could guarantee your recovery, but that it was necessary for him to see you and to speak with you in order to be able to make a more definite statement. He is a man who may be of use to us when you come here. Have you spoken about it to Dr. Peyron, and what did he say? I have not yet gone back to the Independents, but Pissarro, who went there every day, tells me that you have achieved real success with the artists. There were also art lovers who discussed your pictures with me without my drawing their attention to them. The papers which publish reports on the exhibition are silent about the hall of the impressionists. And it is the best thing they can do, for the majority of those criticisms - well, you know what they are worth.

It is beginning to be real spring here. This afternoon Jo and the baby were in the little square in front of Trinity Church. The shrubs are beginning to get green, and the trees show little green tips peeping forth from the buds, all bathed in beneficent sunshine, and the grey colour of the church against the intense blue of the sky was very beautiful. Jo and the child are very well. It is true that there is a little hitch from time to time, but nothing serious. The doctor who came this week said that he was a magnificent child, and he complimented Jo on him. You will see how funny he is in his movements.

My dear brother, I am anxious to know whether you are feeling better, and to receive particulars about your health. Be of good heart and cling to the hope that things will soon take a turn for the better.

I am sending you some reproductions of etchings by Rembrandt; they are so lovely.

A cordial handshake, and believe me to be your loving brother.

Theo


At this time, Vincent was 36 year old.

Source:
Theo van Gogh. Letter to Vincent van Gogh. Written 29 March 1890 in Saint-Rémy. Translated by Mrs. Johanna van Gogh-Bonger, edited by Robert Harrison, published in The Complete Letters of Vincent van Gogh, Publisher: Bulfinch, 1991, number T31.

(This letter may be freely used, in accordance with the Creative Commons license).

Just thought i'd share this letter with everyone...
Caroline Philp Comment by Caroline Philp on January 15, 2009 at 12:12pm
Hi all, love all this sharing of art work, living and learning.
Swami Amrit Rishi Comment by Swami Amrit Rishi on November 17, 2008 at 7:38am

annette steens Comment by annette steens on September 30, 2008 at 9:25am
thanks for all of your lovely invitations Phil!
I joined a book which will come out on october the 2th the birthday of Mahatma Ghandi. Amnesty International will sell it: so buy this wonderful book!
The title is art&freedom in which 74 artists from all over the world tell their visions about those 2 items. It's made for to help to set free Aung San Suu Kyi of Myanmar.
Phil Cashdollar Comment by Phil Cashdollar on September 8, 2008 at 4:41pm
wecome to all the new members of our group... i hope you enjoy it here please start or join in on a discussion... we all may learn something new.... phil
Vahik Kazarian Comment by Vahik Kazarian on August 14, 2008 at 5:33pm
Helo Everyone ...
katia muñoz Comment by katia muñoz on August 12, 2008 at 4:00am
thanks phil for all invitations, hello everyone!!
Teresa Dominici Comment by Teresa Dominici on August 10, 2008 at 11:43pm
Hi Phil,
thank you for inviting me to be part of your group. I started to paint five years ago, my created work is in acrylic and sometimes I use oil or pastel oil.
Kriss Erickson Comment by Kriss Erickson on August 9, 2008 at 6:15pm
Like several people have expressed here, I like to experiment. I've used watercolors, acrylics, really, whatever. I've learned a bit of Sumi technique. I tend to make up my own techniques since what works for others doesn't necessarily work for me.

For example, in watercolors, I use the tiniest brushes I have, even to do large areas. This allows me to get more vibrant colors. I also use wet on dry paper, and just barely enough moisture in the watercolor paint as well to spread. I work small enough areas that I can see the bit of spreading that happens on the textured papers I use.

Kriss
 

Members (76)

Phil Cashdollar Jennifer Blenkinsopp JamieWinter Terry Bassett Lisa Ginger Lovellette PETER McPARTLIN Alberto D'Assumpcao Brenda Sondra Eve Ron Sargent karan anand AveHurley Stan Layman Ruth Palmer Cynthia Adams Helen Kaminsky Pieronymus Pete Miller Sandra Cuomo Lior Goldenberg Patrick W. Hunt timmy anderson Angela Salazar Linda Scott John Fish Elf Thomas Akers Jan van Baarle
 
 

About

Badge

Loading…
 

© 2009   Created by Phil Cashdollar on Ning.   Create a Ning Network!

Badges  |  Report an Issue  |  Privacy  |  Terms of Service